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Issue Art and Community
Cultural and community expression; and how art can build bridges, heal hurts, and connect us to nature. Summer 2002.
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Issue What Does It Mean to Be an American Now?
The Soul of America by Jacob Needleman, American Women by Sally Roesch Wagner, A Place for Dignity by Carol Estes, and an interview with Harry Belafonte. Spring 2002.
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Issue Can Love Save the World?
We are the ones we have been waiting for! Alternative responses to 9-11, pacifism with teeth, the heart of a Muslim, listening as a subversive act, and a prisoner's spiritual journey. Winter 2002.
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Issue Technology: Who Chooses?
Who's in charge of technology? Richard Sclove on citizens reclaiming the right to choose, Jill Bamburg on radical technologies, and Janine Benyus on nature's designs. Prospects for a hydrogen economy and a solar future. Fall 2001.
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Issue Reclaiming the Commons
Jonathan Rowe, David Bollier, and Kari McGinnis discuss the hidden commons while Donella Meadows explores your share of the global commons. Summer 2001.
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Issue Working for Life
How you can quit the rat race, discover your vocation, and save the earth; with Parker Palmer, Danny Glover, Judy Wicks, Matthew Fox, Juliet Schor. Also, Bill McKibben on climate change and Walden Bello on the Year of Global Protest. Spring 2001.
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Issue A New Culture Emerges
Cultural breakthroughs—from creativity to freedom to justice. Winter 2001.
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Issue Is It Time to Close the Prisons?
A look into the prison-industrial complex: Why does the "home of the free" lock up 2 million men, women, boys, and girls—most of them poor people of color? Fall 2000.
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Issue Food for Life
There is an alternative to factory farms and industrial agriculture, and it makes everybody—farmers, neighbors, consumers, and especially pigs—lots happier. Summer 2000.
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Issue New Stories
Thomas Berry called for a story to replace the one that motivates the destruction of Earth's ecosystems and communities. These new stories penetrate what it means to be human, our ways of welcoming new life, and our beliefs about what we will leave behind. Spring 2000.
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