As the sun sets over the Collegiate Peaks in central Colorado, John Edward Graybill blacks out the windows of his kitchen, which doubles as his studio. A single beam of
The Tony Award-winning play, loosely based on Alicia Keys’ childhood, falls into the same trap much theatre does, failing to depict the nuances of Black trauma.
From the U.S. to Palestine, Indigenous people have been pushed off their land in the name of conservation. It’s time we decolonize our relationships—with the Earth and each other.